Author Archives

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Basilica Choir Christmas CD

BasilicaChristmasCDSquareThe CD is here! Order yours now for delivery before Christmas!

The Basilica Choir sings Christmas favorites and new carols on their newest CD on Stemik records including God, We Would Hear the Angels Sing.
Now available on iTunes as well.

The complete list of music follows:

  1. Joy to the World (Isaac Watts/Lowell Mason, after Handel, arr. William Picher)
  2. Hodie Christus Natus Est (Giovanni Pierluigi da Palestrina)
  3. Joseph Lieber, Joseph Mine (Michael Praetorius)
  4. It Came Upon the Midnight Clear (Edmund Sears/R.S. Willis, arr. William Picher)
  5. Blessed Be That Maid Marie (Trad. English 17th C., arr. Charles Wood)
  6. Rejoice in the Lord Always (Anon 16th C.)
  7. Gaudete (Anon. 16th c, arr. Brian Kay)
  8. God Rest You Merry, Gentlemen (Trad. English, 17th C., arr. William Picher)
  9. O Magnum Mysterium (Tomas Luis de Victoria)
  10. Ave Maris Stella (Trad. Russian, arr. Pavel Chesnokov, adapt. William Picher)
    Morris Hudson, guest baritone soloist
  11. Ding Dong Merrily on High (G.R. Woodward, arr. Carolyn Jennings)
  12. Es ist ein Ros (Michael Praetorius)
  13. God, We Would Hear the Angels Sing (John A. Dalles/Wm. Glenn Osborne)
  14. What Child is This (Trad. English, arr. John Stainer)
  15. The Boar
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Rondo Fanfare

Composed in October 2013 for the Sovereign Brass Union, this 3-minute fanfare is for 10-piece brass ensemble and organ it was premiered in concert at the Basilica of the National Shrine of Mary, Queen of the Universe on November 3 at the Power and Glory of Brass Concert. The audio below was generated with the Finale music notation program.

      Listen now
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Fanfare on ‘National Hymn’

BNSMQU Michael FaceOn Sunday, September 29, a new statue of St. Michael will be dedicated at the Basilica of the National Shrine of Mary, Queen of the Universe. Discovering that there would be an additional procession of banners, music director Bill Picher asked if I would make a short fanfare arrangement of the tune “National Hymn’ to provide music for the extra procession. With only a few days to complete the project, I got to work as quick as I could. Until I get a live performance recording, here is the audio file generated by the Finale music notation program.

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Alleluia! Alleluia! Let the Holy Anthem Rise

A simple hymn accompaniment arrangement for organ and brass quartet commissioned by Mary Gant in 2014 for St. Paul Catholic Church in Tampa, Florida. The introduction is a full verse of the hymn and the organ part is basically the standard hymn harmonization. Send an email to contact@wmglennosborne.com for information about obtaining score and parts.

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Cantate Domino

Written by request for the choral concert given on May 22, 2011 by William Picher and the Basilica Choir with friends. The choral group for the day contained 16 singers, and Bill was looking for a 16-voice piece. I sat with this request for quite a while before finally settling on this text and the general style of the piece. Most of the piece is written for 8-part choir, but the middle section is a 16-part fugue. The recording below was made at the dress rehearsal prior to the concert.

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Psalm 96: 1-3
Cantate Domino canticum novum:
Cantate Domino omnis terra.
Cantate Domino, benedicite nomini eius:
Adnuntiate diem de die salutare eius.

Purchase of the PDF download includes permission to reprint copies as necessary for performance.

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Centennial Celebration Gloria

Gloria.Centennial.Unison1 For many years when planning large multilingual diocesan celebrations, I felt Latin would be the best option for the Mass Ordinary. Because these special celebrations often are festive occasions where I had supplemental instrumental resources, using the traditional Latin chants always felt out of place, especially for the Gloria which follows so soon after what typically is a rousing entrance procession. Even though I love chant, the contrast between styles always seemed to make this hymn of praise more of a funeral dirge.

Finally, I took the time to write a more festive accompanied setting of the Latin text for the closing celebration of the Centennial of Holy Redeemer Catholic Church in Kissimmee, Florida. While I may eventually do an SATB version and instrumental parts, the piece was first performed by on June 30, 2013 in unison by the combined choirs of Holy Redeemer. There is a congregational-friendly refrain and the verses are marked for women/men/all choral groupings but could just as easily be sung by a cantor alone.

Purchase of the downloadable score grants permission to reprint as necessary for performance by the person or organization. All other rights (including further distribution) are reserved.

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A Cappella Magic

This recording by the Basilica Choir and William Picher includes my composition Salve Regina. The piece was written specifically for them, and I was delighted that they chose to include it on their recording.

The CD is available for sale for $15 plus shipping and handling. It is also available at iTunes for immediate download here. This is the complete track list:

  1. Haec Dies (William Byrd)
  2. O Bone Jesu (Giovanni Pierluigi da Palestrina)
  3. Verbum Caro Factus Est (Hans Leo Hassler)
  4. Alma Redemptoris Mater (Palestrina)
  5. Regina Caeli Laetare (Antonio Lotti)
  6. Riu, Riu, Chiu (Anon. Spanish)
  7. Exsultate Deo (Palestrina)
  8. I See His Blood Upon the Rose (Michael Bedford)
  9. At the Cross Her Station Keeping (13th cent., arr. Richard Proulx)
  10. Were You There? (Spiritual, arr. Harry T. Burleigh)
  11. Gabriel’s Message (Basque Carol, arr. Jonathan Rathbone)
  12. Ave Maria (Marshall Webb)
  13. Set Me As a Seal (René Clausen)
  14. Tota Pulchra Es (Maurice Duruflé)
  15. Hail Mary (William Picher)
  16. Hail Holy Queen (Salve Regina, arr. Derric Johnson)
  17. I Saw Three Ships (English Carol, arr. Marshall Webb)
  18. Salve Regina
  19. Deep River (Spiritual, arr. Norman Luboff)
  20. Ain’t-a that Good News (Spiritual, arr. William Dawson)
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The Chariot

Written on April 16, 2014 for Chris Barletta and the Women’s Choir of Gateway High School in Kissimmee, Florida, with an expected first performance in May 2014. The students selected a poem by Emily Dickinson as the text that they wanted me to set for them. The Chariot begins “Because I Could Not Stop for Death” and is a somber piece that suggested a chromatic language to me. While there is four-part divisi, the piece remains homophonic and there are many passages in only two parts. The choir is supported by the piano with a brief unaccompanied passage. A video of the first performance can be seen here.

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God Is Gone Up

GodIsGoneUp

God is gone up with a merry shout.
Alleluia.

Written for Dr. Carl MaultsBy and the St. Richard’s Schola of St. Richard’s Episcopal Church in Winter Park, Florida, this piece in Baroque style is written for two-part choir. It could be done by women alone, a mixed adult choir, or even a children’s choir. The harmonic language is simple with very few accidentals. The accompaniment is a simple three-part texture that could be played on organ or piano.

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Alphabetical list of Hymn tunes

For a list of tunes sorted by meter, please click here.

  • Azure Blue – CM
  • Advent Beginnings – 10 10 11 10
  • Bitterwood – 76 76D
  • Casser – 11 11 11 11
  • Changing Words – 77 77D
  • Classic Unity – CM
  • Demon Driven – 87 87D
  • Double Unity – CMD
  • Easter Morn – 88 88 88
  • Elm Street – LM
  • Extended Cloud – 77 76
  • Faithful Church – 11 11 11 11 with refrain
  • Farewell Friend – LM
  • Friends Today – 87 87D
  • Glad Acclaim – CM
  • Green World – 77 77 with refrain
  • Hillside Wheat – 87 87D
  • Hubbard – 66 67D
  • Idle Depths – 85 75
  • Light Unfading – 87 87 87
  • Living Church – LM
  • Love Me Not – CM
  • Matinal – 86 88
  • Merciful Shadow – SM
  • Mystic Spirit – 87 87 77
  • No Royal Crown – LM
  • Present Here – CMD
  • Proud Wisdom – 10 9 10 9
  • Refuge Call – SM
  • River’s Child – 7777
  • Rooted Chain – 87 87D
  • Sea Fishing – 88 88 88
  • Sea Walk – LM (w/repeat)
  • Sent Forward – 11 8 11 9 with refrain
  • Steadfast Mercy – SM
  • Trampled Shame – SM
  • Trusting Christ – CM
  • Unfading Light – 87 87
  • 1 more unnamed tune